• Allyson Mallandra, MFA '15 Acting.   Television: Discovery Channel, A&E Pilot, The 7th Secret, Multiple Commercials
  • Ethan Henry, MFA '09 Acting.  Film & Television: Iron Man 3, Bloodline, South Beach
  • Nick Garcia, MFA ‘09 ~ Acting Academics: Chair of Dramatic Arts Department at Los Medanos College
  • Helen Kim, MFA ‘09, Film & Television: Glow (Co-Star, Netflix), Famous in Love (Co-Star, Freeform), Boys and Girls (Pilot, Black
  • Jamyl Dobson, MFA '06 Acting. Film & Television: Gotham, The Path, Hall Pass
  • Valeria Avina, MFA '15 Acting.  Television: The Circle, Street Justice: The Bronx, Time to Fear
  • Joniece Abbot-Pratt, MFA '06 Acting.  Film & Television: Orange is the New Black, Blindspot, Luke Cage.
  • Sasha Hillebrand, MFA '15 Acting.  Assistant Director of Theatre & Artistic Director at Sterling College
  • Gregory Gefford, MFA '12 Acting.  Film & Television: Chicago Justice, Up on the Wooftop, The formula
  • Deonna Bouye MFA ‘09  Theatre: Arena Stage, The Guthrie Theatre, Actors Theatre of Louisville

Acting

Our mission is to train artists who understand and promote the development of new theatre—a visionary actor—not a prop or a pawn, but a participant in the creation of a living event.

The MFA in acting at the University of Iowa offers a rigorous, comprehensive curriculum that expands upon traditional concepts of training, while grounding the actor in solid technique. The acting program integrates the theories of Sanford Meisner, Jerzy Grotowski, Jacques Lecoq, and Catherine Fitzmaurice with extensive training in movement, voice, theatrical analysis, and digital media to produce an unusually responsive, emotionally available artist that can meet the creative and technical demands of the twenty-first century.

We seek curious and courageous individuals who are socially conscious and disciplined, with a passion for pushing the boundaries of theatre.

Where do previous MFA Actors from Iowa go?  Link to bios and headshots of recent alumni.

Theatre at Iowa

Iowa is home to one of the premiere playwriting programs in the United States, producing more than 18 new works each year. Actors work constantly with the playwrights of the future on new material that challenges social, cultural, and political norms – originating characters and contexts never before seen on stage. Iowa playwriting alumni include Tennessee Williams, Lee Blessing, Naomi Wallace, Jen Silverman, Rebecca Gilman, and MacArthur Genius Grant recipient, Sam Hunter.


Admission Requirements
Plan of Study
Production Requirements
Thesis
Continuation in the Program
Performance Evaluation
Academic & Program Evaluation
Iowa Actors, Past and Present


Faculty

The graduate acting faculty is made up of theatre professionals who have trained with some of the most prestigious names and organizations in theatre, including Grotowski, Meisner, Fitzmaurice Voicework, and Dell'Arte International School of Physical Theatre. In addition, we are privileged to work with an array of guest artists who visit our campus such as Robert Wilson, Liz Lehrman, Alice Ripley, Mary Beth Hurt, Martha Clarke, Anne Bogart, and other specialized industry professionals.

Admission Requirements

We admit students to our acting program every three years. This allows us to more fully focus our attention on the needs of each class. Students admitted to the MFA program in acting should have an undergraduate degree in theatre, or equivalent training and experience.

Our next class of actors will be admitted in the fall of 2018. The application deadline is January 15, 2018. Applicants that are attending U/RTAs must adhere to U/RTA deadlines.

If you are not attending U/RTAs but wish to be considered for admission into the Acting Program, you must:

Make sure you are aware of all of the deadlines and that you meet the minimum requirements for entry.

Application Procedure:
Submit an application and official transcript clearly indicating a final GPA of 3.00 or better to the Graduate College. The GRE exam is not required.

Once you have submitted your application, you will receive an email instructing you on how to upload your supporting documents and submit letters of recommendation.  These will be uploaded from your Admissions Profile in MyUI, our online service center for applicants and students.  You can only access this after you have submitted your application.

Supporting documents that will be uploaded to your Admissions Profile on MyUI:

  • a resume of previous experience
  • a current headshot
  • three letters of recommendation
  • a written statement explaining why you are seeking the MFA in acting at Iowa

Be interviewed and audition

  • For the audition, students should prepare two contrasting monologues not to exceed three minutes total time.
  • It is important that your selections demonstrate your range. Avoid pieces that are similar in intention, genre, period, or style.
  • On-site auditions may be scheduled in Iowa City.
  • Program representatives also attend the national auditions of the University/Resident Theatre Association (U/RTA) in New York, Chicago, and San Francisco.

We recommend that prospective students visit Iowa City to see the campus and discuss the acting program with our current students and us. For those students seriously considering the University of Iowa, the program will provide contact information for our alumni in the profession.

All MFA actors receive a tuition scholarship from the Graduate College, which offsets the amount of the current tuition. General fees are not included in this scholarship. Additionally, most MFA actors receive teaching assistantships, which currently pay a minimum for $9,408. Departmental scholarships of varying amounts are also awarded to some students on a year-by-year basis.

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Reefer Madness

Requirements for the MFA in Acting

The requirements for the MFA in Acting are divided into three categories: formal instruction, production requirements, and a thesis.

Formal Instruction

Students pursuing the MFA in acting must complete 72 semester hours.
The 3-year curriculum consists of the following courses—

Plan of Study

1st Semester

  • Acting: Foundations
  • Movement: Foundations
  • Voice & Speech: Fitzmaurice Voicework Destructuring
  • Digital Media: Producing and Directing Digital Video
  • Orientation to Graduate Study: Includes developing and strengthening online presence

2nd Semester

  • Acting: Meisner Technique
  • Movement: Foundations II
  • Voice & Speech: Fitzmaurice Voicework Restructuring
  • Theatrical Analysis: Classical to Romantic

3rd Semester

  • Acting: Psycho-Physical: Grotowski
  • Movement: Stage Combat
  • Voice & Speech: Shakespeare and Other Heightened, Poetic Texts
  • Film: Acting for the Camera

4th Semester

  • Acting: Poetic Drama: Shakespeare
  • Movement: Mask (Larval, Expressive, Half)
  • Voice & Speech: Accents and Dialects
  • Theatrical Analysis: Modern
  • Career Preparation

5th Semester

  • Acting: Period Styles
  • Movement: Clown
  • Digital Media: Performing with Digital Media on Stage
  • Career Preparation: Showcase

6th Semester

  • Theatrical Analysis: Post-Modern
  • Voiceovers: Commercial, Animation, Video Games, and Establishing Home Studios
  • Thesis

TOTAL CREDITS: 72

The sequence of classes may vary.

Go to BA Acting Road Map

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Production Requirements

You are required to audition for all Mainstage productions presented by the department and to perform as cast. All graduate actors are required to perform a minimum of one role each semester.

Additionally, every graduate actor is required to earn two new play credits during their three-year residency. One credit is earned for each role performed in an original play produced for the Mainstage, Gallery, or New Play Festival season.

Thesis

The thesis has two components, the first is a written analysis of the actor’s personal creative process, and an annotated resume of roles performed at Iowa. The second is the actor’s professional online presence that is developed, strengthened, and maintained during their tenure at Iowa.

Continuation in the Program

The first year is a probationary period for all MFA students in acting. At the end of the first year, the faculty evaluates your work to determine if you’re eligible to continue in the program. This decision is based on demonstrated talent, potential, discipline, collegiality, and satisfactory progress in academic and artistic learning situations. Students who are accepted into the second year normally proceed to satisfactory completion of the degree. Nonetheless, evaluation is an ongoing process and students must continue to present work of distinction in their production assignments and maintain a grade point average of 3.0 or better in their performance classes. If a student's grade point average falls below 3.0 it must be raised to that level by the end of the following semester. Failure to do so may be grounds for dismissal.
 

Kid Simple

Performance Evaluation

Evaluation of performance in productions is ongoing. You are required to speak personally with the faculty member you have been assigned to shortly after completion of the performance for feedback. You are also encouraged to speak to the other graduate acting faculty and as many other faculty members as possible about your work. Additionally, you’re required to prepare two monologues and present them at every general departmental audition. Normally there are two general auditions each academic year. Monologues may not be repeated. Following each audition, you are required to schedule individual meetings with the Head of Acting, and your Movement and Voice teachers for feedback.

Academic & Program Evaluation

At the end of every semester, you receive a formal oral evaluation of your course and production work. These discussions deal comprehensively with all aspects of your progress.

At the end of the first and second academic years you receive a written evaluation of your work, a copy of which is placed in your academic file. In conjunction with the end of the first year evaluation you must write a process paper. The purpose of the process paper is to encourage a synergistic examination of your creative process as it develops: a self-evaluation of the development of a personal approach to acting. Three weeks prior to the first year evaluation you must submit the process paper to the evaluating committee.

At the end of the second, fourth, and fifth semesters the faculty will review your website and digital platforms.

In the second year of residency the process paper is revised and serves as the your comprehensive examination.

In the final year the process paper is revised once more and, with the annotated resume, forms the written portion of the Master's Thesis. Your thesis also includes your updated website and social platforms.

Iowa Actors, Past and Present

Link to a selection of recent student bios and headshots of the Class of 2015.
 

More Information

Paul Kalina
Associate Professor
Department of Theatre Arts
The University of Iowa

107 Theatre Building

Iowa City, IA 52242-1705


319.353.2404

paul-kalina@uiowa.edu