Ghost Town By Darrin Terpstra Six years after Lilium began to transition into a woman, she returns to her hometown for the first time. Upon encountering her childhood best friend, they decide to summon a ghost from a local legend, which leads to revelations surrounding gender, grief, and God.  Virtual Lobby In advance of the performance, we'd like to invite you to visit our Virtual Lobby to learn more about the production and our team. Content warning for religious trauma, transphobia...

Reflections By Delany Waterman Workshop productions are free of charge, however you must obtain a ticket at the door and seating is limited. Tickets are available in the Theatre Building lobby one hour before showtime.

Reflections By Delany Waterman Workshop productions are free of charge, however you must obtain a ticket at the door and seating is limited. Tickets are available in the Theatre Building lobby one hour before showtime.

The Space Between Coke Bottles and Orange Slices By Nat Payán Workshop productions are free of charge, however you must obtain a ticket at the door and seating is limited. Tickets are available in the Theatre Building lobby one hour before showtime.

The Space Between Coke Bottles and Orange Slices By Nat Payán Workshop productions are free of charge, however you must obtain a ticket at the door and seating is limited. Tickets are available in the Theatre Building lobby one hour before showtime.

The Space Between Coke Bottles and Orange Slices By Nat Payán Workshop productions are free of charge, however you must obtain a ticket at the door and seating is limited. Tickets are available in the Theatre Building lobby one hour before showtime.

"Home Is Where the TV Is," a play about the connections between theatre and certain kinds of television, and the way television affects our lives, through a parody lens of two classic shows: Star Trek and Cheers. "Space Jaunt" showrunner Leah Jottenby finds out her budget is being cut into by her rival, "Beers" showrunner George Barrows, and they clash at a production meeting. When George makes a snide remark about a crossover episode between the two shows, their boss Eric Grantham demands the crossover be produced. Leah and George are forced to put their differences aside and work together to combine their passion projects together, and the casts of both shows are caught in the crossfire.

"Home Is Where the TV Is," a play about the connections between theatre and certain kinds of television, and the way television affects our lives, through a parody lens of two classic shows: Star Trek and Cheers. "Space Jaunt" showrunner Leah Jottenby finds out her budget is being cut into by her rival, "Beers" showrunner George Barrows, and they clash at a production meeting. When George makes a snide remark about a crossover episode between the two shows, their boss Eric Grantham demands the crossover be produced. Leah and George are forced to put their differences aside and work together to combine their passion projects together, and the casts of both shows are caught in the crossfire.

"Home Is Where the TV Is," a play about the connections between theatre and certain kinds of television, and the way television affects our lives, through a parody lens of two classic shows: Star Trek and Cheers. "Space Jaunt" showrunner Leah Jottenby finds out her budget is being cut into by her rival, "Beers" showrunner George Barrows, and they clash at a production meeting. When George makes a snide remark about a crossover episode between the two shows, their boss Eric Grantham demands the crossover be produced. Leah and George are forced to put their differences aside and work together to combine their passion projects together, and the casts of both shows are caught in the crossfire.